As highlighted in both the opening and closing credits, “Freakstars 3000” aims to critique the issues faced by non-disabled individuals. Initially, I was taken aback by the portrayal of disabled people in the film, but it soon dawned on me that participants in similar non-disabled TV shows, such as Germany’s “Popstars,” “Friedmann,” or various home shopping networks, are subjected to the same treatment. These shows often lead to the complete mental exploitation of participants, sacrificing their most valuable asset—dignity—in front of a vast television audience. It’s understandable why some might be outraged by the perceived exploitation of disabled individuals. However, Schlingensief’s work is designed to provoke and challenge, disregarding those who either cannot or choose not to grasp the underlying message, if one exists.